|There were "old" features in your gua (hexagram). It means that you have two hexagrams. The first one — is something that the Book tells you at the moment, the second is something it warns you about.
21. Gnawing Bite (shì kè). Biting Through
Nothing in life is unique. Be able to see the essence of events and do not try to fight the forced inactivity. When idle the external, internal is active. The more active and indiscriminate actions are, the more firmly teeth are tightened; you will be bogged down in a situation and incur losses.
Inital text of I Ching
Biting Through has success. It is favorable to let justice be administered.
Thunder and lightning:
The image of Biting Through. Thus the kings of former times made firm the laws through clearly defined penalties.
- His feet are fastened in the stocks, so that his toes disappear. No blame.
- Bites through tender meat, so that his nose disappears. No blame.
- Bites on old dried meat and strikes on something poisonous. Slight humiliation. No blame.
- Bites on dried gristly meat. Receives metal arrows. It furthers one to be mindful of difficulties and to be persevering. Good fortune.
- Bites on dried lean meat. Receives yellow gold. Perseveringly aware of danger. No blame.
- His neck is fastened in the wooden cangue, so that his ears disappear. Misfortune.
Something tends to destroy the harmony. Clenched teeth have a dual character: on the one hand - the restoration of unity (with force), on the other - the destruction of 'grinding'. Do not fear. It is good time to take advantage of strife. Prejudices are destroyed, thoughts converge. But there is no freedom of action. Cases are suspended. If you make a mistake at work - you will fall into a millstone: finally lose your freedom, or will suffer significant damage, experience pain.
This hexagram represents an open mouth (cf. hexagram 27) with an
obstruction (in the fourth place) between the teeth. As a result the lips cannot
meet. To bring them together one must bite energetically through the
obstacle. Since the hexagram is made up of the trigrams for thunder and for
lightning, it indicates how obstacles are forcibly removed in nature.
Energetic biting through overcomes the obstacle that prevents joining of the
lips; the storm with its thunder and lightning overcomes the disturbing
tension in nature. Recourse to law and penalties overcomes the disturbances
of harmonious social life caused by criminals and slanderers. The theme of
this hexagram is a criminal lawsuit, in contradistinction to that of Sung,
CONFLICT, which refers to civil suits.
When an obstacle to union arises, energetic biting through brings success.
This is true in all situations. Whenever unity cannot be established, the
obstruction is due to a talebearer and traitor who is interfering and blocking
the way. To prevent permanent injury, vigorous measures must be taken at
once. Deliberate obstruction of this sort does not vanish of its own accord.
Judgment and punishment are required to deter or obviate it.
However, it is important to proceed in the right way. The hexagram
combines Li, clarity, and Chên, excitement. Li is yielding, Chên is hard.
Unqualified hardness and excitement would be too violent in meting out
punishment; unqualified clarity and gentleness would be too weak. The two
together create the just measure. It is of moment that the man who makes
the decisions (represented by the fifth line) is gentle by nature, while he
commands respect by his conduct in his position.
Penalties are the individual applications of the law. The laws
specify the penalties. Clarity prevails when mild and severe
penalties are differentiated, according to the nature of the crimes.
This is symbolized by the clarity of lighting. The law is strengthened
by a just application of penalties. This is symbolized by the terror
of thunder. This clarity and severity have the effect of instilling
respect; it is not that the penalties are ends in themselves.
The obstructions in the social life of man increase when there is a
lack of clarity in the penal codes and slackness in executing them.
The only to strengthen the law is to make it clear and make penalties
certain and swift.
If a sentence is imposed the first time a man attempts to do wrong, the
penalty is a mild one. Only the toes are put in the stocks. This prevents him
from sinning further and thus he becomes free of blame. It is a warning to
halt in time on the path of evil.
It is easy to discriminate between right and wrong in this case;
it is like biting through tender meat. But one encounters a
hardened sinner, and, aroused by anger, one goes a little too
far. The disappearance of the nose in the course of the bite
signifies that indignation blots out finer sensibility. However,
there is no great harm in this, because the penalty as such is
Punishment is to be carried out by someone who lacks the power and
authority to do so. Therefore the culprits do not submit. The matter at issue
is an old one-as symbolized by salted game-and in dealing with it difficulties
arise. This old meat is spoiled: by taking up the problem the punisher arouses
poisonous hatred against himself, and n this way is put in a somewhat
humiliating position. But since punishment was required by the time, he
remains free of blame.
There are great obstacles to be overcome, powerful opponents are to be
punished. Though this is arduous, the effort succeeds. But it is necessary to
be hard as metal and straight as an arrow to surmount the difficulties. If one
knows these difficulties and remains persevering, he attains good fortune.
The difficult task is achieved in the end.
The case to be decided is indeed not easy but perfectly clear. Since we
naturally incline to leniency, we must make every effort to be like yellow
gold-that is, as true as gold and as impartial as yellow, the color of the middle
[the mean]. It is only by remaining conscious of the dangers growing out of
the responsibility we have assumed that we can avoid making mistakes.
In contrast to the first line, this line refers to a man who is incorrigible. His
punishment is the wooden cangue, and his ears disappear under it-that is to
say, he is deaf to warnings. This obstinacy leads to misfortune.
Barbara Hejslip interpretation
Something torments you, you feel unfortunate. Try to undertake any new business, and your business will go better, and gradually diligent work will lead you to the big success. You are inclined to consider yourselves as a victim of injustice. But if you will constantly think of how such could happen,-it will not help business. All we make weight of mistakes; obviously, in what you were mistaken also. But try to not lose courage and learn the necessary lesson of that has happened. It is not necessary to despair, as just now circumstances favour to performance of your desire. Gather; remain are quiet and judicious.
22. Adorning (bì). Grace
Learn to distinguish perfect from the beautiful, the true from illusory. Learn how to find beauty in the small and enjoy it.
Inital text of I Ching
Grace has success. In small matters it is favorable to undertake something.
Fire at the foot of the mountain:
The image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.
- He lends grace to his toes, leaves the carriage, and walks.
- Lends grace to the beard on his chin.
- Graceful and moist. Constant perseverance brings good fortune.
- Grace or simplicity? A white horse comes as if on wings. He is not a robber, he will woo at the right time.
- Grace in hills and gardens. The roll of silk is meager and small. Humiliation, but in the end good fortune.
- Simple grace. No blame.
Outwardly, everything is good. But it is not time for great things. At the moment content with little. Do not obsess over visual appeal. Look at what's happening and choose goals for the future according to the dictates of the soul. Furnishing our external, do not forget to take care of the internal, true beauty is inside.
This hexagram shows a fire that breaks out of the secret depths of the earth
and, blazing up, illuminates and beautifies the mountain, the heavenly
heights. Grace-beauty of form-is necessary in any union if it is to be well
ordered and pleasing rather than disordered and chaotic.
Grace brings success. However, it is not the essential or fundamental thing; it
is only the ornament and therefore be used sparingly and only in little things.
In the lower trigram of fire a yielding line comes between two strong lines
and makes them beautiful, but the strong lines are the essential content and
the weak line is the beautifying form. In the upper trigram of the mountain,
the strong line takes the lead, so that here again the strong element must be
regarded as the decisive factor. In nature we see in the sky the strong light of
the sun; the life of the world depends on it. But this strong, essential thing is
changed and given pleasing variety by the moon and the stars. In human
affairs, aesthetic form comes into being when traditions exist that, strong and
abiding like mountains, are made pleasing by a lucid beauty. By
contemplating the forms existing in the heavens we come to understand time
and its changing demands. Through contemplation of the forms existing in
human society it becomes possible to shape the world.
The fire, whose light illuminates the mountain and makes it pleasing, does
not shine far; in the same way, beautiful form suffices to brighten and to
throw light upon matters of lesser moment, but important questions cannot
be decided in this way. They require greater earnestness.
A beginner in subordinate place must take upon himself the labor of
advancing. There might be an opportunity of surreptitiously easing the way-
symbolized by the carriage-but a self-contained man scorns help gained in a
dubious fashion. He thinks it more graceful to go on foot than to drive in a
carriage under false pretenses.
The beard is not an independent thing; it moves only with the chin. The
image therefore means that form is to be considered only as a result and
attribute of content. The beard is a superfluous ornament. To devote care to it
for its own sake, without regard for the inner content of which it is an
ornament, would bespeak a certain vanity.
This represents a very charming life situation. One is under the spell of grace
and the mellow mood induced by wine. This grace can adorn, but it can also
swamp us. Hence the warning not to sink into convivial indolence but to
remain constant in perseverance. Good fortune depends on this.
An individual is in a situation in which doubts arise as to which is better-to
pursue the grace of external brilliance, or to return to simplicity. The doubt
itself implies the answer. Confirmation comes from the outside; it comes like
a white winged horse. The white color indicates simplicity. At first it may be
disappointing to renounce the comforts that might have been obtained, yet
one finds peace of mind in a true relationship with the friend who courts
him. The winged horse is the symbol of the thoughts that transcend all limits
of space and time.
A man withdraws from contact with people of the lowlands, who seek
nothing but magnificence and luxury, in to the solitude of the heights. There
he finds an individual to look up to, whom he would like to have as a friend.
But the gifts he has to offer are poor and few, so that he feels ashamed.
However, it is not the material gifts that count, but sincerity of feeling, and so
all goes well in the end.
Here at the highest stage of development all ornament is discarded. Form no
longer conceals content but brings out its value to the full. Perfect grace
consists not in exterior ornamentation of the substance, but in the simple
fitness of its form.
Barbara Hejslip interpretation
This hexagram can be favorable only for the affairs concerning theatre. It means, that you have a propensity to hide the original face, and people surrounding you too behave not quite sincerely. Your love affairs are problematic enough now. But successes in other spheres are possible. Your desires will be executed, but is completely not fast. It is necessary to try to accept a life such as it is, and to study at it.
Richard Wilhelm's commentary