|There were "old" features in your gua (hexagram). It means that you have two hexagrams. The first one — is something that the Book tells you at the moment, the second is something it warns you about.
2. Field (kūn). The Receptive
Benefit is in expecting changes. Only having realized necessity and inevitability of cataclysms during transition from one state to another, it is possible to man and overcome difficulties – stop dawdling and spinning the wheels.
Inital text of I Ching
The Receptive brings about sublime success, furthering through the perseverance of a mare. If the superior man undertakes something and tries to lead, he goes astray; But if he follows, he finds guidance. It is favorable to find friends in the west and south, to forego friends in the east and north. Quiet perseverance brings good fortune.
The earth's condition is receptive devotion. Thus the superior man who has breadth of character carries the outer world.
- When there is hoarfrost underfoot, solid ice is not far off.
- Straight, square, great. Without purpose, yet nothing remains unfurthered.
- Hidden lines. One is able to remain persevering. If by chance you are in the service of a king, seek not works, but bring to completion.
- A tied-up sack. No blame, no praise.
- A yellow lower garment brings supreme good fortune.
- Dragons fight in the meadow. Their blood is black and yellow.
Lasting perseverance furthers.
Earth is passive female origin. It is time of compromise. Firmness and tenacity are necessary for achieving the desired goal. Bit also obedience is needed to go in this direction subordinating impulse of creativity. Interest and hard work are necessary. Do not think that everything will happen itself. Work will be highly awarded.
This hexagram is made up of broken lines only. The broken lines represents
the dark, yielding, receptive primal power of yin. The attribute of the
hexagram is devotion; its image is the earth. It is the perfect complement of
THE CREATIVE--the complement, not the opposite, for the Receptive does
not combat the Creative but completes it . It represents nature in contrast to
spirit, earth in contrast to heaven, space as against time, the female-maternal
as against the male-paternal. However, as applied to human affairs, the
principle of this complementary relationship is found not only in the relation
between man and woman, but also in that between prince and minister and
between father and son. Indeed, even in the individual this duality appears
in the coexistence of the spiritual world and the world of the senses.
But strictly speaking there is no real dualism here, because there is a clearly
defined hierarchic relationship between the two principles. In itself of course
the Receptive is just as important as the Creative, but the attribute of
devotion defines the place occupied by this primal power in relation to the
Creative. For the Receptive must be activated and led by the Creative; then it
is productive of good. Only when it abandons this position and tries to stand
as an equal side by side with the Creative, does it become evil. The result
then is opposition to and struggle against the Creative, which is productive of
evil to both.
The four fundamental aspects of the Creative--"sublime success, furthering
through perseverance"--are also attributed to the Receptive. Here, however,
the perseverance is more closely defined: it is that of a mare. The Receptive
connotes spatial reality in contrast to the spiritual potentiality of the Creative.
The potential becomes real and the spiritual becomes spatial through a
specifically qualifying definition. Thus the qualification, "of a mare," is here
added to the idea of perseverance. The horse belongs to earth just as the
dragon belongs to heaven. Its tireless roaming over the plains is taken as a
symbol of the vast expanse of the earth. This is the symbol chosen because
the mare combines the strength and swiftness of the horse with the
gentleness and devotion of the cow.
Only because nature in its myriad forms corresponds with the myriad
impulses of the Creative can it make these impulses real. Nature's richness
lies in its power to nourish all living things; its greatness lies in its power to
give then beauty and splendor. Thus it prospers all that lives. IT is the
Creative that begets things, but they are brought to birth by the Receptive.
Applied to human affairs, therefore, what the hexagram indicated is action in
conformity with the situation. The person in questions not in an
independent position, but is acting as an assistant. This means that he must
achieve something. It is not his task to try to lead--that would only make him
lose the way-but to let himself be led. If he knows how to meet fate with an
attitude of acceptance, he is sure to find the right guidance. The superior man
lets himself be guided; he does not go ahead blindly, but learns from the
situation what is demanded of him and then follows this intimation from
Since there is something to be accomplished, we need friends and helpers in
the hour of toil and effort, once the ideas to be realized are firmly set. The
time of toil and effort is indicated by the west and south, for west and south
symbolize the place where the Receptive works for the Creative, as nature
does in summer and autumn. If in that situation one does not mobilize all
one's powers, the work to be accomplished will not be done. Hence to find
friends there means to find guidance. But in addition to the time of toil and
effort, there is also a time of planning, and for this we need this solitude. The
east symbolized the place where a man receives orders from his master, and
the north the place where he reports on what he has done. At that time he
must be alone and objective. In this sacred hour he must do without
companions. So that the purity of the moment may not be spoiled by fictional
hates and favoritism.
Just as there is only one heaven, so too there is only one earth. In the
hexagram of heaven the doubling of the trigram implies duration in time,
but in the hexagram of earth the doubling connotes the solidity and extension
in space by virtue of which the earth is able to carry and preserve all things
that live and move upon it. The earth in its devotion carries all things, good
and evil,, without exception. In the same way the superior man gives to his
character breadth, purity, and sustaining power, so that he is able both to
support and to bear with people and things.
Just as the light-giving power represents life, so the dark power, the shadowy,
represents death. When the first hoarfrost comes in the autumn, the power
of darkness and cold is just at its beginning. After these first warnings, signs
of death will gradually multiply, until, in obedience to immutable laws, stark
winter with its ice is here.
In life it is the same. After certain scarcely noticeable signs of decay have
appeared, they go on increasing until final dissolution comes. But in life
precautions can be taken by heeding the first signs of decay and checking them
The symbol of heaven is the circle, and that of earth is the square. Thus
squareness is a primary quality of the earth. On the other hand, movement
in a straight line, as well as magnitude, is a primary quality of the Creative.
But all square things have their origin in a straight line and into turn form
solid bodies. In mathematics, when we discriminate between lines, planes
and solids, we find that rectangular planes result from straight lines, and
cubic magnitudes from rectangular planes. The Receptive accommodates
itself to the qualities of the Creative and makes them its own. Thus a square
develops out of a straight line and a cube out of a square. This is compliance
with the laws of the Creative; nothing is taken away, nothing added.
Therefore the Receptive has no need of a special purpose of its own, nor of
any effort' yet everything turns out as it should.
Nature creates all beings without erring: this is its foursquareness. It
tolerates all creatures equally: this is its greatness. Therefore it attains what is
right for all without artifice or special intentions. Man achieves the height of
wisdom when all that he does is as self-evident as what nature does.
If a man is free of vanity he is able to conceal his abilities and keep them from
attracting attention too soon; thus he can mature undisturbed. If conditions
demand it, he can also enter public life, but that too he does with restraint.
The wise man gladly leaves fame to others. He does not seek to have credited
to himself things that stand accomplished, but hopes to release active forces;
that is, he completes his works in such a manner that they may bear fruit for
The dark element opens when it moves and closes when at rest. The strictest
reticence is indicated here. The time is dangerous , because any degree of
prominence leads either to the enmity of irresistible antagonists if one
challenges them or to misconceived recognition if one is complaisant.
Therefore a man ought to maintain reserve, be it in solitude or in the turmoil
of the world, for there too he can hide himself so well that no one knows
Yellow is the color of the earth and of the middle; it is the symbol of that
which is reliable and genuine. The lower garment is inconspicuously
decorated--the symbol of aristocratic reserve. When anyone is called upon to
work in a prominent but not independent position, true success depends on
the utmost discretion. A man's genuineness and refinement should not
reveal themselves directly; they should express themselves only indirectly as
an effect from within.
In the top place the dark element should yield to the light. If it attempts to
maintain a position to which it is not entitled and to rule instead of serving,
it draws down upon itself the anger of the strong. A struggle ensues in which
it is overthrown, with injury, however, to both sides. The dragon, symbol of
heaven, comes to fight the false dragon that symbolized the inflation of the
earth principle. Midnight blue is the color of heaven; yellow is the color of
earth. Therefore, when black and yellow blood flow, it is a sign that in this
unnatural contest both primal powers suffer injury.
When nothing but sixes appears, the hexagram of THE RECEPTIVE changes
into the hexagram of THE CREATIVE. By holding fast to what is right, it
gains the power of enduring. There is indeed no advance, but neither is there
Barbara Hejslip interpretation
Gods have wakened mother-ground. It is necessary for you to work assiduously, and your efforts in two months will crown greater success. You are the person cultural and thirsting knowledge, with love concerning even to the smallest fruits of the work. You are respectful and adhered to mother. Now do not think too much of material benefit, do not give vent to greed. Your desire will be executed, though and not at once. In the near future it is not recommended to send to road - to any, with someone. In your circle soon there will be a person feeding for you strong interest.
22. Adorning (bì). Grace
Learn to distinguish perfect from the beautiful, the true from illusory. Learn how to find beauty in the small and enjoy it.
Inital text of I Ching
Grace has success. In small matters it is favorable to undertake something.
Fire at the foot of the mountain:
The image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.
- He lends grace to his toes, leaves the carriage, and walks.
- Lends grace to the beard on his chin.
- Graceful and moist. Constant perseverance brings good fortune.
- Grace or simplicity? A white horse comes as if on wings. He is not a robber, he will woo at the right time.
- Grace in hills and gardens. The roll of silk is meager and small. Humiliation, but in the end good fortune.
- Simple grace. No blame.
Outwardly, everything is good. But it is not time for great things. At the moment content with little. Do not obsess over visual appeal. Look at what's happening and choose goals for the future according to the dictates of the soul. Furnishing our external, do not forget to take care of the internal, true beauty is inside.
This hexagram shows a fire that breaks out of the secret depths of the earth
and, blazing up, illuminates and beautifies the mountain, the heavenly
heights. Grace-beauty of form-is necessary in any union if it is to be well
ordered and pleasing rather than disordered and chaotic.
Grace brings success. However, it is not the essential or fundamental thing; it
is only the ornament and therefore be used sparingly and only in little things.
In the lower trigram of fire a yielding line comes between two strong lines
and makes them beautiful, but the strong lines are the essential content and
the weak line is the beautifying form. In the upper trigram of the mountain,
the strong line takes the lead, so that here again the strong element must be
regarded as the decisive factor. In nature we see in the sky the strong light of
the sun; the life of the world depends on it. But this strong, essential thing is
changed and given pleasing variety by the moon and the stars. In human
affairs, aesthetic form comes into being when traditions exist that, strong and
abiding like mountains, are made pleasing by a lucid beauty. By
contemplating the forms existing in the heavens we come to understand time
and its changing demands. Through contemplation of the forms existing in
human society it becomes possible to shape the world.
The fire, whose light illuminates the mountain and makes it pleasing, does
not shine far; in the same way, beautiful form suffices to brighten and to
throw light upon matters of lesser moment, but important questions cannot
be decided in this way. They require greater earnestness.
A beginner in subordinate place must take upon himself the labor of
advancing. There might be an opportunity of surreptitiously easing the way-
symbolized by the carriage-but a self-contained man scorns help gained in a
dubious fashion. He thinks it more graceful to go on foot than to drive in a
carriage under false pretenses.
The beard is not an independent thing; it moves only with the chin. The
image therefore means that form is to be considered only as a result and
attribute of content. The beard is a superfluous ornament. To devote care to it
for its own sake, without regard for the inner content of which it is an
ornament, would bespeak a certain vanity.
This represents a very charming life situation. One is under the spell of grace
and the mellow mood induced by wine. This grace can adorn, but it can also
swamp us. Hence the warning not to sink into convivial indolence but to
remain constant in perseverance. Good fortune depends on this.
An individual is in a situation in which doubts arise as to which is better-to
pursue the grace of external brilliance, or to return to simplicity. The doubt
itself implies the answer. Confirmation comes from the outside; it comes like
a white winged horse. The white color indicates simplicity. At first it may be
disappointing to renounce the comforts that might have been obtained, yet
one finds peace of mind in a true relationship with the friend who courts
him. The winged horse is the symbol of the thoughts that transcend all limits
of space and time.
A man withdraws from contact with people of the lowlands, who seek
nothing but magnificence and luxury, in to the solitude of the heights. There
he finds an individual to look up to, whom he would like to have as a friend.
But the gifts he has to offer are poor and few, so that he feels ashamed.
However, it is not the material gifts that count, but sincerity of feeling, and so
all goes well in the end.
Here at the highest stage of development all ornament is discarded. Form no
longer conceals content but brings out its value to the full. Perfect grace
consists not in exterior ornamentation of the substance, but in the simple
fitness of its form.
Barbara Hejslip interpretation
This hexagram can be favorable only for the affairs concerning theatre. It means, that you have a propensity to hide the original face, and people surrounding you too behave not quite sincerely. Your love affairs are problematic enough now. But successes in other spheres are possible. Your desires will be executed, but is completely not fast. It is necessary to try to accept a life such as it is, and to study at it.