|There were "old" features in your gua (hexagram). It means that you have two hexagrams. The first one — is something that the Book tells you at the moment, the second is something it warns you about.
2. Field (kūn). The Receptive
Benefit is in expecting changes. Only having realized necessity and inevitability of cataclysms during transition from one state to another, it is possible to man and overcome difficulties – stop dawdling and spinning the wheels.
Inital text of I Ching
The Receptive brings about sublime success, furthering through the perseverance of a mare. If the superior man undertakes something and tries to lead, he goes astray; But if he follows, he finds guidance. It is favorable to find friends in the west and south, to forego friends in the east and north. Quiet perseverance brings good fortune.
The earth's condition is receptive devotion. Thus the superior man who has breadth of character carries the outer world.
- When there is hoarfrost underfoot, solid ice is not far off.
- Straight, square, great. Without purpose, yet nothing remains unfurthered.
- Hidden lines. One is able to remain persevering. If by chance you are in the service of a king, seek not works, but bring to completion.
- A tied-up sack. No blame, no praise.
- A yellow lower garment brings supreme good fortune.
- Dragons fight in the meadow. Their blood is black and yellow.
Lasting perseverance furthers.
Earth is passive female origin. It is time of compromise. Firmness and tenacity are necessary for achieving the desired goal. Bit also obedience is needed to go in this direction subordinating impulse of creativity. Interest and hard work are necessary. Do not think that everything will happen itself. Work will be highly awarded.
This hexagram is made up of broken lines only. The broken lines represents
the dark, yielding, receptive primal power of yin. The attribute of the
hexagram is devotion; its image is the earth. It is the perfect complement of
THE CREATIVE--the complement, not the opposite, for the Receptive does
not combat the Creative but completes it . It represents nature in contrast to
spirit, earth in contrast to heaven, space as against time, the female-maternal
as against the male-paternal. However, as applied to human affairs, the
principle of this complementary relationship is found not only in the relation
between man and woman, but also in that between prince and minister and
between father and son. Indeed, even in the individual this duality appears
in the coexistence of the spiritual world and the world of the senses.
But strictly speaking there is no real dualism here, because there is a clearly
defined hierarchic relationship between the two principles. In itself of course
the Receptive is just as important as the Creative, but the attribute of
devotion defines the place occupied by this primal power in relation to the
Creative. For the Receptive must be activated and led by the Creative; then it
is productive of good. Only when it abandons this position and tries to stand
as an equal side by side with the Creative, does it become evil. The result
then is opposition to and struggle against the Creative, which is productive of
evil to both.
The four fundamental aspects of the Creative--"sublime success, furthering
through perseverance"--are also attributed to the Receptive. Here, however,
the perseverance is more closely defined: it is that of a mare. The Receptive
connotes spatial reality in contrast to the spiritual potentiality of the Creative.
The potential becomes real and the spiritual becomes spatial through a
specifically qualifying definition. Thus the qualification, "of a mare," is here
added to the idea of perseverance. The horse belongs to earth just as the
dragon belongs to heaven. Its tireless roaming over the plains is taken as a
symbol of the vast expanse of the earth. This is the symbol chosen because
the mare combines the strength and swiftness of the horse with the
gentleness and devotion of the cow.
Only because nature in its myriad forms corresponds with the myriad
impulses of the Creative can it make these impulses real. Nature's richness
lies in its power to nourish all living things; its greatness lies in its power to
give then beauty and splendor. Thus it prospers all that lives. IT is the
Creative that begets things, but they are brought to birth by the Receptive.
Applied to human affairs, therefore, what the hexagram indicated is action in
conformity with the situation. The person in questions not in an
independent position, but is acting as an assistant. This means that he must
achieve something. It is not his task to try to lead--that would only make him
lose the way-but to let himself be led. If he knows how to meet fate with an
attitude of acceptance, he is sure to find the right guidance. The superior man
lets himself be guided; he does not go ahead blindly, but learns from the
situation what is demanded of him and then follows this intimation from
Since there is something to be accomplished, we need friends and helpers in
the hour of toil and effort, once the ideas to be realized are firmly set. The
time of toil and effort is indicated by the west and south, for west and south
symbolize the place where the Receptive works for the Creative, as nature
does in summer and autumn. If in that situation one does not mobilize all
one's powers, the work to be accomplished will not be done. Hence to find
friends there means to find guidance. But in addition to the time of toil and
effort, there is also a time of planning, and for this we need this solitude. The
east symbolized the place where a man receives orders from his master, and
the north the place where he reports on what he has done. At that time he
must be alone and objective. In this sacred hour he must do without
companions. So that the purity of the moment may not be spoiled by fictional
hates and favoritism.
Just as there is only one heaven, so too there is only one earth. In the
hexagram of heaven the doubling of the trigram implies duration in time,
but in the hexagram of earth the doubling connotes the solidity and extension
in space by virtue of which the earth is able to carry and preserve all things
that live and move upon it. The earth in its devotion carries all things, good
and evil,, without exception. In the same way the superior man gives to his
character breadth, purity, and sustaining power, so that he is able both to
support and to bear with people and things.
Just as the light-giving power represents life, so the dark power, the shadowy,
represents death. When the first hoarfrost comes in the autumn, the power
of darkness and cold is just at its beginning. After these first warnings, signs
of death will gradually multiply, until, in obedience to immutable laws, stark
winter with its ice is here.
In life it is the same. After certain scarcely noticeable signs of decay have
appeared, they go on increasing until final dissolution comes. But in life
precautions can be taken by heeding the first signs of decay and checking them
The symbol of heaven is the circle, and that of earth is the square. Thus
squareness is a primary quality of the earth. On the other hand, movement
in a straight line, as well as magnitude, is a primary quality of the Creative.
But all square things have their origin in a straight line and into turn form
solid bodies. In mathematics, when we discriminate between lines, planes
and solids, we find that rectangular planes result from straight lines, and
cubic magnitudes from rectangular planes. The Receptive accommodates
itself to the qualities of the Creative and makes them its own. Thus a square
develops out of a straight line and a cube out of a square. This is compliance
with the laws of the Creative; nothing is taken away, nothing added.
Therefore the Receptive has no need of a special purpose of its own, nor of
any effort' yet everything turns out as it should.
Nature creates all beings without erring: this is its foursquareness. It
tolerates all creatures equally: this is its greatness. Therefore it attains what is
right for all without artifice or special intentions. Man achieves the height of
wisdom when all that he does is as self-evident as what nature does.
If a man is free of vanity he is able to conceal his abilities and keep them from
attracting attention too soon; thus he can mature undisturbed. If conditions
demand it, he can also enter public life, but that too he does with restraint.
The wise man gladly leaves fame to others. He does not seek to have credited
to himself things that stand accomplished, but hopes to release active forces;
that is, he completes his works in such a manner that they may bear fruit for
The dark element opens when it moves and closes when at rest. The strictest
reticence is indicated here. The time is dangerous , because any degree of
prominence leads either to the enmity of irresistible antagonists if one
challenges them or to misconceived recognition if one is complaisant.
Therefore a man ought to maintain reserve, be it in solitude or in the turmoil
of the world, for there too he can hide himself so well that no one knows
Yellow is the color of the earth and of the middle; it is the symbol of that
which is reliable and genuine. The lower garment is inconspicuously
decorated--the symbol of aristocratic reserve. When anyone is called upon to
work in a prominent but not independent position, true success depends on
the utmost discretion. A man's genuineness and refinement should not
reveal themselves directly; they should express themselves only indirectly as
an effect from within.
In the top place the dark element should yield to the light. If it attempts to
maintain a position to which it is not entitled and to rule instead of serving,
it draws down upon itself the anger of the strong. A struggle ensues in which
it is overthrown, with injury, however, to both sides. The dragon, symbol of
heaven, comes to fight the false dragon that symbolized the inflation of the
earth principle. Midnight blue is the color of heaven; yellow is the color of
earth. Therefore, when black and yellow blood flow, it is a sign that in this
unnatural contest both primal powers suffer injury.
When nothing but sixes appears, the hexagram of THE RECEPTIVE changes
into the hexagram of THE CREATIVE. By holding fast to what is right, it
gains the power of enduring. There is indeed no advance, but neither is there
Barbara Hejslip interpretation
Gods have wakened mother-ground. It is necessary for you to work assiduously, and your efforts in two months will crown greater success. You are the person cultural and thirsting knowledge, with love concerning even to the smallest fruits of the work. You are respectful and adhered to mother. Now do not think too much of material benefit, do not give vent to greed. Your desire will be executed, though and not at once. In the near future it is not recommended to send to road - to any, with someone. In your circle soon there will be a person feeding for you strong interest.
29. Gorge (kǎn). The Abysmal Water
Once in the trap of looking out, do not leave attempts to escape, but act wisely, but then rise above the circumstances.
Inital text of I Ching
The Abysmal repeated. If you are sincere, you have success in your heart, and whatever you do succeeds.
Water flows on uninterruptedly and reaches its goal:
The image of the Abysmal repeated. Thus the superior man walks in lasting virtue and carries on the business of teaching.
- Repetition of the Abysmal. In the abyss one falls into a pit. Misfortune.
- The abyss is dangerous. One should strive to attain small things only.
- Forward and backward, abyss on abyss. In danger like this, pause at first and wait, otherwise you will fall into a pit in the abyss. Do not act in this way.
- A jug of wine, a bowl of rice with it; Earthen vessels simply handed in through the window. There is certainly no blame in this.
- The abyss is not filled to overflowing, it is filled only to the rim. No blame.
- Bound with cords and ropes, shut in between thorn-hedged prison walls: For three years one does not find the way. Misfortune.
Time of rest is over, time of truth search begins. Self-discipline, persistence, dedication and presence of mind are necessary. They will help to overcome the inertia, the inertia of views, and pressure of external circumstances. With the inner truth, you will overcome obstacles. Active action is inside; outside - only accept the circumstances.
This hexagram consists of a doubling of the trigram K'an. It is one of the
eight hexagrams in which doubling occurs. The trigram K'an means a
plunging in. A yang line has plunged in between two yin lines and is closed
in by them like water in a ravine. The trigram K'an is also the middle son.
The Receptive has obtained the middle line of the Creative, and thus K'an
develops. As an image it represents water, the water that comes from above
and is in motion on earth in streams and rivers, giving rise to all life on
In man's world K'an represents the heart, the soul locked up within the
body, the principle of light inclosed in the dark--that is, reason. The name of
the hexagram, because the trigram is doubled, has the additional meaning,
"repetition of danger." Thus the hexagram is intended to designate an
objective situation to which one must become accustomed, not a subjective
attitude. For danger due to a subjective attitude means either foolhardiness
or guile. Hence too a ravine is used to symbolize danger; it is a situation in
which a man is in the same pass as the water in a ravine, and, like the water,
he can escape if he behaves correctly.
Through repetition of danger we grow accustomed to it. Water sets the
example for the right conduct under such circumstances. It flows on and on,
and merely fills up all the places through which it flows; it does not shrink
from any dangerous spot nor from any plunge, and nothing can make it lose
its own essential nature. It remains true to itself under all conditions. Thus
likewise, if one is sincere when confronted with difficulties, the heart can
penetrate the meaning of the situation. And once we have gained inner
mastery of a problem, it will come about naturally that the action we take will
succeed. In danger all that counts is really carrying out all that has to be done-
-thoroughness--and going forward, in order not to perish through tarrying in
Properly used, danger can have an important meaning as a protective
measure. Thus heaven has its perilous height protecting it against every
attempt at invasion, and earth has its mountains and bodies of water,
separating countries by their dangers. Thus also rulers make use of danger to
protect themselves against attacks from without and against turmoil within.
Water reaches its goal by flowing continually. It fills up every depression
before it flows on. The superior man follows its example; he is concerned
that goodness should be an established attribute of character rather than an
accidental and isolated occurrence. So likewise in teaching others everything
depends on consistency, for it is only through repetition that the pupil makes
the material his own.
By growing used to what is dangerous, a man can easily allow it to become
part of him. He is familiar with it and grows used to evil. With this he has
lost the right way, and misfortune is the natural result.
When we are in danger we ought not to attempt to get out of it immediately,
regardless of circumstances; at first we must content ourselves with not being
overcome by it. We must calmly weigh the conditions of the time and by
satisfied with small gains, because for the time being a great success cannot be
attained. A spring flows only sparingly at first, and tarries for some time
before it makes its way in to the open.
Here every step, forward or backward, leads into danger. Escape is out of the
question. Therefore we must not be misled into action, as a result of which
we should only bog down deeper in the danger; disagreeable as it may be to
remain in such a situation, we must wait until a way out shows itself.
In times of danger ceremonious forms are dropped. What matters most is
sincerity. Although as a rule it is customary for an official to present certain
introductory gifts and recommendations before he is appointed, here
everything is simplified to the utmost. The gifts are insignificant, there is no
one to sponsor him, he introduces himself; yet all this need not be
humiliating if only there is the honest intention of mutual help in danger.
Still another idea is suggested. The window is the place through which light
enters the room. If in difficult times we want to enlighten someone, we must
begin with that which is in itself lucid and proceed quite simply from that
Danger comes because one is too ambitious. In order to flow out of a ravine,
water does not rise higher than the lowest point of the rim. So likewise a
man when in danger has only to proceed along the line of least resistance;
thus he reaches the goal. Great labors cannot be accomplished in such times; it
is enough to get out of the danger.
A man who in the extremity of danger has lost the right way and is
irremediably entangled in his sins has no prospect of escape. He is like a
criminal who sits shackled behind thorn hedged prison walls.
Barbara Hejslip interpretation
Do not lose courage, but it is one of four worst combinations. In your life there has come time of losses and defeats. The only thing that it is possible to make,-it to reduce up to a probable minimum number of strokes of bad luck. Have patience and wait, while the goddess of happiness again will award you of the sight. Through two, the greatest - in five months position will start to change for the better. For now you have enough time to occupy in scientific researches, reading, simply homework, which usually enough. Be not nervous, and keep calmness. It is the period when introspection and a sober estimation of position is much more important, than desperate struggle against destiny.