|There were "old" features in your gua (hexagram). It means that you have two hexagrams. The first one — is something that the Book tells you at the moment, the second is something it warns you about.
50. Holding (dǐng). The Cauldron
Burning the old in the name of holy sacrifice, they acquire new - the fire leads to creation. But, throwing into the fire for fun, they risk losing and burning everything.
Inital text of I Ching
The Caldron. Supreme good fortune. Success.
Fire over wood:
The image of the Caldron. Thus the superior man consolidates his fate by making his position correct.
- A ting with legs upturned. Furthers removal of stagnating stuff. One takes a concubine for the sake of her son. No blame.
- There is food in the ting. My comrades are envious, but they cannot harm me. Good fortune.
- The handle of the ting is altered. One is impeded in his way of life. The fat of the pheasant is not eaten. Once rain falls, remorse is spent. Good fortune comes in the end.
- The legs of the ting are broken. The prince's meal is spilled and his person is soiled. Misfortune.
- The ting has yellow handles, golden carrying rings. Perseverance furthers.
- The ting has rings of jade. Great good fortune. Nothing that would not act to further.
The direction is correct.The main work is done inside: knowledge turns into understanding, wisdom grows, and talents develop of abilities. For the sake of acquiring new forget old - the victim will not be vain. But do not sacrifice for the sake of self-interest - it does not bring goodness. Things are going well. But do not forget to share with others the fruits of your labor. If you have an illness, wait for recovery.
The six lines construct the image of Ting, THE CALDRON; at the bottom are
the legs, over them the belly, then come the ears (handles), and at the top the
carrying rings. At the same time, the image suggests the idea of nourishment.
The ting, cast of bronze, was the vessel that held the cooked viands in the
temple of the ancestors and at banquets. The heads of the family served the
food from the ting into the bowls of the guests.
THE WELL (48) likewise has the secondary meaning of giving nourishment,
but rather more in relation to the people. The ting, as a utensil pertaining to
a refined civilization, suggests the fostering and nourishing of able men,
which redounded to the benefit of the state.
This hexagram and THE WELL are the only two in the Book of Changes that
represent concrete, men-made objects. Yet here too the thought has its
Sun, below, is wood and wind; Li, above, is flame. Thus together they stand
for the flame kindled by wood and wind, which likewise suggests the idea of
While THE WELL relates to the social foundation of our life, and this
foundation is likened to the water that serves to nourish growing wood, the
present hexagram refers to the cultural superstructure of society. Here it is
the wood that serves as nourishment for the flame, the spirit. All that is
visible must grow beyond itself, extend into the realm of the invisible.
Thereby it receives its true consecration and clarity and takes firm root in the
Here we see civilization as it reaches its culmination in religion. The ting
serves in offering sacrifice to God. The highest earthly values must be
sacrificed to the divine. But the truly divine does not manifest itself apart
from man. The supreme revelation of God appears in prophets and holy
men. To venerate them is true veneration of God. The will of God, as
revealed through them, should be accepted in humility; this brings inner
enlightenment and true understanding of the world, and this leads to great
good fortune and success.
The fate of fire depends on wood; as long as there is wood below, the fire
burns above. It is the same in human life; there is in man likewise a fate that
lends power to his life. And if he succeeds in assigning the right place to life
and to fate, thus bringing the two into harmony, he puts his fate on a firm
footing. These words contain hints about fostering of life as handed on by
oral tradition in the secret teachings of Chinese yoga.
If a ting is turned upside down before being used, no harm is done-on the
contrary, this clears it of refuse. A concubine's position is lowly, but because
she has a son she comes to be honored.
These two metaphors express the idea that in a highly developed
civilization, such as that indicated by this hexagram, every person of good
will can in some way or other succeed. No matter how lowly he may be,
provided he is ready to purify himself, he is accepted. He attains a station in
which he can prove himself fruitful in accomplishment, and as a result he
In a period of advanced culture, it is of the greatest importance that one
should achieve something significant. If a man concentrates on such real
undertakings, he may indeed experience envy and disfavor, but that is not
dangerous. The more he limits himself to his actual achievements, the less
harm the envious inflict on him.
The handle is the means for lifting up the ting. If the handle is altered, the
ting cannot be lifted up and used, and, sad to say, the delicious food in it, such
as pheasant fat, cannot be eaten by anyone.
This describes a man who, in a highly evolved civilization, finds himself in
a place where no one notices or recognizes him. This is a severe block to his
effectiveness. All of his good qualities and gifts of mind thus needlessly go to
waste. But if he will only see to it that he is possessed of something truly
spiritual, the time is bound to come, sooner or later, when the difficulties will
be resolved and all will go well. The fall of rain symbolizes here, as in other
instances, release of tension.
A man has a difficult and responsible task to which he is not adequate.
Moreover, he does not devote himself to it with all his strength but goes
about with inferior people; therefore the execution of the work fails. In this
way he also incurs personal opprobrium.
Confucius says about this line:
"Weak character coupled with honored
place, meager knowledge with large plans, limited powers with heavy
responsibility, will seldom escape disaster."
Here we have, in a ruling position, a man who is approachable and modest in
nature. As a result of this attitude he succeeds in finding strong and able
helpers who complement and aid him in his work. Having achieved this
attitude, which requires constant self-abnegation, it is important for him to
hold to it and not to let himself be led astray.
In the preceding line the carrying rings are described as golden, to denote their
strength; here they are said to be of jade. Jade is notable for its combination of
hardness with soft luster. This counsel, in relation to the man who is open to
it, works greatly t his advantage. Here the counsel is described in relation to
the sage who imparts it. In imparting it, he will be mild and pure, like
precious jade. Thus the work finds favor in the eyes of the Deity, who
dispenses great good fortune, and becomes pleasing to men, wherefore all
Barbara Hejslip interpretation
This hexagram specifies that now there is all preconditions resolutely to incur a role of the leader to achieve positive results. There will be people who will envy your successes; do not pay attention to these people. Do not incur more, than can give, and do not promise it is more, than in a condition to execute. Strong influence on you and on your relations with associates the figure renders "three". Business to which you were accepted, together with two adherents, will lead you to success. Your desire will be executed, though and not absolutely how you initially conceived. Pay attention that you spend for entertainments and on a hobby too much.
22. Adorning (bì). Grace
Learn to distinguish perfect from the beautiful, the true from illusory. Learn how to find beauty in the small and enjoy it.
Inital text of I Ching
Grace has success. In small matters it is favorable to undertake something.
Fire at the foot of the mountain:
The image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.
- He lends grace to his toes, leaves the carriage, and walks.
- Lends grace to the beard on his chin.
- Graceful and moist. Constant perseverance brings good fortune.
- Grace or simplicity? A white horse comes as if on wings. He is not a robber, he will woo at the right time.
- Grace in hills and gardens. The roll of silk is meager and small. Humiliation, but in the end good fortune.
- Simple grace. No blame.
Outwardly, everything is good. But it is not time for great things. At the moment content with little. Do not obsess over visual appeal. Look at what's happening and choose goals for the future according to the dictates of the soul. Furnishing our external, do not forget to take care of the internal, true beauty is inside.
This hexagram shows a fire that breaks out of the secret depths of the earth
and, blazing up, illuminates and beautifies the mountain, the heavenly
heights. Grace-beauty of form-is necessary in any union if it is to be well
ordered and pleasing rather than disordered and chaotic.
Grace brings success. However, it is not the essential or fundamental thing; it
is only the ornament and therefore be used sparingly and only in little things.
In the lower trigram of fire a yielding line comes between two strong lines
and makes them beautiful, but the strong lines are the essential content and
the weak line is the beautifying form. In the upper trigram of the mountain,
the strong line takes the lead, so that here again the strong element must be
regarded as the decisive factor. In nature we see in the sky the strong light of
the sun; the life of the world depends on it. But this strong, essential thing is
changed and given pleasing variety by the moon and the stars. In human
affairs, aesthetic form comes into being when traditions exist that, strong and
abiding like mountains, are made pleasing by a lucid beauty. By
contemplating the forms existing in the heavens we come to understand time
and its changing demands. Through contemplation of the forms existing in
human society it becomes possible to shape the world.
The fire, whose light illuminates the mountain and makes it pleasing, does
not shine far; in the same way, beautiful form suffices to brighten and to
throw light upon matters of lesser moment, but important questions cannot
be decided in this way. They require greater earnestness.
A beginner in subordinate place must take upon himself the labor of
advancing. There might be an opportunity of surreptitiously easing the way-
symbolized by the carriage-but a self-contained man scorns help gained in a
dubious fashion. He thinks it more graceful to go on foot than to drive in a
carriage under false pretenses.
The beard is not an independent thing; it moves only with the chin. The
image therefore means that form is to be considered only as a result and
attribute of content. The beard is a superfluous ornament. To devote care to it
for its own sake, without regard for the inner content of which it is an
ornament, would bespeak a certain vanity.
This represents a very charming life situation. One is under the spell of grace
and the mellow mood induced by wine. This grace can adorn, but it can also
swamp us. Hence the warning not to sink into convivial indolence but to
remain constant in perseverance. Good fortune depends on this.
An individual is in a situation in which doubts arise as to which is better-to
pursue the grace of external brilliance, or to return to simplicity. The doubt
itself implies the answer. Confirmation comes from the outside; it comes like
a white winged horse. The white color indicates simplicity. At first it may be
disappointing to renounce the comforts that might have been obtained, yet
one finds peace of mind in a true relationship with the friend who courts
him. The winged horse is the symbol of the thoughts that transcend all limits
of space and time.
A man withdraws from contact with people of the lowlands, who seek
nothing but magnificence and luxury, in to the solitude of the heights. There
he finds an individual to look up to, whom he would like to have as a friend.
But the gifts he has to offer are poor and few, so that he feels ashamed.
However, it is not the material gifts that count, but sincerity of feeling, and so
all goes well in the end.
Here at the highest stage of development all ornament is discarded. Form no
longer conceals content but brings out its value to the full. Perfect grace
consists not in exterior ornamentation of the substance, but in the simple
fitness of its form.
Barbara Hejslip interpretation
This hexagram can be favorable only for the affairs concerning theatre. It means, that you have a propensity to hide the original face, and people surrounding you too behave not quite sincerely. Your love affairs are problematic enough now. But successes in other spheres are possible. Your desires will be executed, but is completely not fast. It is necessary to try to accept a life such as it is, and to study at it.
Richard Wilhelm's commentary